Fear overwhelms me.
Sucking me dry
So many wounds
A shell of a human
Left to die
Without the virus
Imperfect, unworthy of care
You know it’s over when they let you enter without first scrubbing your hands.
This ends one of two ways. Only one means coming home with the one you love.
Safety precautions are no easier in intensive care, just clearer.
The ventilator, translucent skin, the unsteady beat of the monitors--all scream vulnerability and so, of course, of course you wash and gown and mask. That’s obvious.
The dying parent. The tiny babies. Every cell in your body wants to shield them from danger, even – especially – the invisible danger clinging to you from outside, hitching a ride closer to them. Looking for a way in; their vulnerability an invitation.
They can’t protect themselves.
Protecting them is obvious even when it’s not easy. You respect the barriers marking the threshold between the menace outside and the relative (hoped for, prayed for) safety here, inside.
When you can see blue blood rushing beneath translucent skin, it’s not hard to wash your hands.
The line used to be hard and sharp. Maybe it was imaginary, but it seemed straightforward. Safety is here: danger is there.
Now, the ink has smeared until that line becomes earth, becomes air encircling each of you and what does it mean to be safe now?
Ah, but you know what it means to keep a distance, so that you can protect.
You remember. It’s planted in the marrow of your bones.
How do you love through panes of glass? With a heart beating so hard you’re certain your tiny babies must hear it, too. When you touch them with a gloved hand, is it warm? Do they know it’s you?
Only your voice can touch without danger. The soft lullaby you sing into the incubators when you have to leave them. And the way his heart speeds up when he hears you coming into his hospital room.
On that final morning, they let you in without scrubbing. You touch your father’s hand with yours, unwashed and ungloved, because that line doesn’t matter anymore. It’s how you know it’s over.
All those years before, you got to take your babies home, drawing a new line around them, hard and strong for as long as you possibly could until you cracked it open to take them out. Out there. Unwashed hands and air travel leave them with bronchitis, but they’re stronger now and recover. You gave them time to grow and for their lungs to heal.
And you know it isn’t over.
It’s planted in the marrow of your bones.
And now? Now you will stay away for as long as you must if it means they will be safe.
You will love them again through a pane of glass (or a computer screen) when they are six-thousand miles away instead of in your kitchen, cooking and bickering, where you wish they were (where they’re supposed to be) instead.
You will send your voice through the telephone and hug over a video link and listen through a window for the music you know is out there because the line defining dangerous and safe has shattered, and you will protect them with the distance that you keep because this is what you do when you love.
- Visual Media and Poem by Dr. Mara Tesler Stein
May the reason I practice yoga be
To lead others to realizing the true nature
of the Self
Yet in doing that empowering others
Especially my fellow sisters
to advocate for themselves
To not let men walk all over us
In the name of spiritual practices
For us to claim our voice
As the creative energy that makes
it all happen
Refusing to be treated as anything less
We are not just servants
of the masculine
We are the whirl that creates
The motion and maintains
People have tried to keep the waves
From rising to their fullest majesty
not anymore, and never again
"The river doesn't come to your home. You have to go get the water."
Being a student of tantra
Means that life makes me wet
I float on the river its energy creates
To the Source that is Home
The place where I don't
Have to pretend to be anything
I trust the banks that
Nature puts in place
Since letting the river run dry
Would be a disaster
No longer an option because
Being is all there is
Being is who I really am
I am the river and the Ocean
I am the energy and the Source
I am complete
I am Home
Photo of Jamie by Kalindi Hoffmann
Burn away the pages
of my past
told by strangers to
Burn away the tainted
gripped with desperate
Awash my body
with the healing
my own spark.
Heed my call,
the scream from
Heed the fire
held in my heart.
- Peyton Cram
Dance for yourself
like you want to dance for him
When you move as a river
touching your body with delight
Know that you are touching
eternity herself, the Divine Goddess
When your hips unleash
a torrent of sensual bliss
Know that you are creating
flames to warm the earth entire
When you quiver with electricity
and beckon him to come
Know that you are connecting
with your True Divine Nature
Yours, not his
I have lived the expressive arts since I was born. In my childhood home we had very few rules. At any given time, you would find one sister painting a mural on the wall while another sister was playing the mandolin and making cheese in her closet. Mom would be making our fringe vest in the breakfast nook and another sister would be making jam… all before taking the bus to meet my big sister’s guru for chanting. Don’t forget to drink the sassafras tea my mom had brood... got to keep the immune system strong. I remember my first journal was a Virginia Slims blank book that I got for free by collecting my mom’s cigarette cartons and sending them in to the company for the prize of a lovely maroon book with a fancy woman on the cover. I would write the story of my life deep into the night while my sister hurled shoes at my bed so I would turn off my flashlight. My mother never put a border around what our souls wanted to do. There were no boundaries….no walls and no safety. Our creative expression was respected and indulged. It was simply our way of life. I would invite friends over for sleep overs by candlelight, makeovers and Mickey Mouse club. This was all pure joy in the middle of inner-city Cleveland nestled between drug deals and frozen pipes... the magic of pure no holds barred self-expression was my sanctuary.
The highlight of junior high was playing Tina Turner and singing Proud Mary, swinging my hard pressed hair, dancing wildly and rolling on the river. Expressing myself through music, writing, dance and potion making saved me from the pain of poverty, sexual assault, and eczema. When I went to college, I wanted to be a dance therapist. Not because I was a trained dancer but because dancing saved my life. As a child I would put on the Motown Christmas album and spin around until I was so dizzy with joy that it did not matter that we had no gas or lights or food in the refrigerator. As a teen I would leave work at McDonalds at 2:30 am and go out dancing until sunrise…6:30am when the club closed. It was called night flight and the rhythm would fly me to another world. I did not know at the time that I was putting myself in a trance. I simply knew that moving my body to the pulsing beat made me feel joy: I could breathe, I could do life as it showed up. So of course, I would want to dance my way through college. The catch was that they had no such major at my school. I settled on psychology as my major and fit in all the other treasures I wanted to learn and experience outside of my formal academic training.
My challenge academically and professionally was always the quandary of how do I blend my love of dance, therapy, service, travel, metaphysics, health, teaching, healing arts into some professional identity? Eclectic is how I had described myself. Holistic became a term I began using 20 years ago when I participated in a Crone/Sage ceremony (Initiation into the Wisdom years of a Woman) for a friend’s 60th birthday. The facilitator of the circle was a holistic psychologist and she embodied the sacred expressive arts. I began to see the blending of my worlds. Yet, the practicality of blending all of these aspects of myself into my daily professional life remained somewhat of a challenge.
It was 2011, I remember getting the call from Dr. Tanya Edwards at the Cleveland Clinic Center for Integrative Medicine. “I hear you are a wonderful hypnotherapist,” she said…come join us. At the time I had not heard of Dr. Edwards so I thought it was a friend from Cleveland pranking me. I would receive 5 more messages like that before calling her back. It was not until I saw her on the Dr. Oz show that I realized this woman was real, not a prank and we looked like we could be cousins! When I returned her call she simply said, “I have been waiting for your call.” I asked did she need me to send my resume and she simply said, “I know everything about you I need to know. Come do what you do.” Perhaps I stopped breathing for a moment when she said these words because doing what I do, in the way I do it had always been a challenge in most therapeutic work settings. Dr. Tanya Edwards told me that she did not bring me to Cleveland Clinic to work with individual patients but for the creative ability and spirit I carry. “You are a Goddess High Priestess….do what you do.” Well I simply thought I had dropped into the 5th dimension of some other universe. Dr. Edwards became my dear sister friend mentor and beloved colleague. I had the pleasure of training and working with her until her death in March of 2014. My use of creativity in my work is a way of also honoring her light and life. Dr. Edwards helped me stoke the flames of my creativity and to share it with a larger audience.
When I received that initial call from Dr. Edwards I was on leave from my tenured position as a Professor of Counselor Education. I was worn out. The Chair of my Department was chronically displeased with me and would lobby against my promotion at the University. He would tell me that I was too creative and relational, and he needed someone who was methodical and organized. I was not that person. I am the one who tries every key on the key ring until I see a crack in the door… a glimmer of light shining through the darkness. Essentially, as a therapist (and a human) I have always believed in using a variety of tools to unlock the emotions hidden within a person’s heart and soul. This is how I taught, and this is how I live. Don’t do yoga they would say. Why are you meditating with your students they would say. It’s a hazard to burn that oil or hypnosis opens the door to the devil they would say. What are you doing with bubbles in your practicum class…Turn your music down...are you drumming again? Did I see you and your client hugging a tree? Creativity has been the foundation of the therapeutic process for me. The fluidity of expression is my elixir.
The expressive arts therapist certification program has given me the long-awaited structure, scaffolding, philosophy and supportive community to truly be the creative holistic practitioner that I am. I have been lovingly challenged to stretch myself far beyond my comfort. This journey has given me a firm foundation to gather the broad palette of my services under an umbrella with a solid base. When asked what my work with bees has to do with therapy and healing….I say it is a part of expressive arts therapy and certainly it is. My journey into the certification process has given me the empirical support to relay to others the methods of my practice. I was born an expressive arts therapist because it is a part of my indigenous, tribal nature. This is how my ancestors healed. This is what we do naturally and some academic and heart wise people were able to observe and research these healing ways and put it into a form. Growing up my father would always tell me not to let people know what I really do because no one would believe I had an education. He felt that my true way of practicing therapy was not legitimate because it was not a part of mainstream culture. Working roots or someone getting the Holy Ghost through sound and movement, shaking, rocking, tapping, clapping, wailing all a part of healing. Don’t tell he would say. I always know who is open to working in this way…don’t worry Dad.
My father is no longer concerned. When I began working at The Cleveland Clinic Center for Integrative Medicine, he said he wished he had taken hypnotherapy serious years ago. We now drum together, do yoga and sound healing together. He is open and the closet door is wide open. All of the expressive arts healing modalities are on the table for use and exploration. In my certification journey I have gathered courage to sing in public, I have begun to use paints and not fear the blank page as much. I have gathered my napkins and old envelopes and published my first book of poetry. I have fallen into the arms of an amazing community of expressive artist and healers. I have danced more in public and shared a specific therapeutic dance within the African American community as a healing ritual for the 400 years of trauma caused by slavery. I am more intentional and clearer about using movement to heal generational trauma. Freeing my creativity and exercising new ways of self-expression has inspired more creativity and courage to go to the edge of my creative desires. All the doors are open to me and the key is in my hand. The Expressive Arts Community is a circle of healers I am forever grateful to be a part of. Ase, Amen, Amin.
Originally published on InTheRooms, May 2019
During my first attempt at recovery, I learned to play the guitar. At the time, I worked for a Catholic Parish and aid organization in post-war Bosnia-Hercegovina. There was a kind Irish priest (and former rock n’ roller) also in residence who knew that I liked to sing. However, the only instrument I played, the violin, didn’t lend itself well to accompaniment. So he very patiently taught me the art of making chords and strumming. I found that when I was bored in those early days of figuring out what to do with myself, practicing the chords and the necessary movements to move between them more fluidly kept me busy. Then one day, the chord progression I was working on provided me a back drop to create a tune. Led by that tune, I started singing the angst of my heart and calling out to my Higher Power, desperate for a deeper spiritual awakening.
Did I just write a song?
Playing music and writing music was a lifeline for me in my first few years of sobriety. I ended up taking my last drink less than a year after I stumbled upon what it meant to compose music that is deeply meaningful to my personal journey. Always a lover of reading and writing poetry, the thought of composing a song always felt impossibly complicated. Yet through my trial-and-error, coupled with some experimentation, I discovered just how accessible writing songs was for me as a form of expression. In the field of expressive arts therapy, we call this being in process. In other words, not having a fixed or forced outcome in mind. Rather, we set an intention to express and to explore, learning from our mistakes along the way. Being in process like this teaches us lessons we may have never dreamed possible.
In the field of expressive arts therapy, we encourage clients and people in the community to keep an open mind to exploring all forms of creativity and expression—music, dance/movement, writing, visual art, dramatics, you name it! We embrace an all-of-the-above approach. So while the creative form that may feel most accessible to you can be a great place to start (for me it was music and writing), the practices that feel outside your comfort zone may have the most to teach you. For me, I long believed that the visual arts were my “weak link,” because I was never any good at art in school. Yet when I began deepening my commitment to practicing all of the expressive arts for my own healing and recovering journey, I actually discovered that visual art had the most to teach me. Because I wasn’t focused on it being “good,” I was just able to have fun, be in my body, and learn to not beat myself up for making mistakes. As result, playing with the visual arts in the later years of recovery had just as much to teach me about myself and the healing journey as playing music did in those early days.
This all describes the magic that we call process in the world of expressive arts. You may have noticed that the title of my latest book Process Not Perfection: Expressive Arts Solutions in Trauma Recovery takes a twist on the recovery slogan “progress not perfection.” For me, both the power of process in expressive arts therapy and this wisdom at this slogan are trying to teach us the same thing—don’t force outcome. Learn from the process and the journey. In early 2017 as I begin stirring with ideas for bringing this book into existence, this poem came out of me that ended up revealing the title:
Works of art in gestation
Are often called
Works in progress
The slogans and inspirational
Clichés call for
Progress not perfection
We judge students and employees
With the metric of a
What if we were to change
Every use of the work "progress"
With the word "process"?
What if works of art in
Gestation are called
Works in process?
What if we encouraged
People to focus on
Process not perfection?
What if our metrics of
Evaluation took on the tone of
What if we were to live our lives in process?
All life could transform
Into a journey of art making,
Fueled by the expressive spirit
We could refrain from
Judging ourselves so harshly
And instead savor the unknown
From the unknown and yes,
Even from our mistakes
We can discover a new way of being
From what we once labeled failures
We may unearth a new solution,
A new way to solve a problem
By creating in the moment and
Not forcing the big picture
May we encounter the essence of meaning.
If you are looking for meaningful ways to bring expressive practices into your recovery journey, please consider checking out Process Not Perfection. It is written for the general public in a voice that I hope allows you to feel safe enough to take this journey with me. I also have several opportunities where you can connect with a growing community of folks in recovery who also practice the expressive arts, specifically the Dancing Mindfulness and Expressive Arts Community Forum on Facebook. You are also welcome to visit my complimentary resources website at www.traumamadesimple.com for a wide selection of meditation, yoga, and other skill videos linked from my YouTube channel. And if you explore that YouTube channel (Jamie Marich) long enough (and go back far enough), you can also find some footage of me playing music!
I’m not ashamed to cry. Throughout my healing journey, I have singlehandedly kept the Kleenex and Puffs corporations thriving, so abundant are the tears I’ve shed. For me, releasing emotion with tears allows me to fully validate and feel emotions, a process that is vital to my transformation. While I recognize that sometimes I need to practice containment when the tears begin to flow (e.g., if I have an important work commitment), I generally don’t censor myself when my emotions flow in the form of tears. I’ve wept on a tarmac waiting for a delayed plane to take off, I’ve cried in a restaurant in full view of professional colleagues when I connect with a sad story I need to share, and I no longer fear what people think of me if tears begin to flow during a difficult conversation.
Every year I engage in deeper layers of my own healing and guide people through their own trauma work, I’m convinced that our emotions do not cause us as many problems as the things we do to keep those emotions stuffed down and buried. To honor the role that crying plays in my growth and transformation, an expressive arts practice recently came to me that I wish to share with you in this posting. I call the process “Transforming Our Tissues.” The process allows us to take the tissues that absorbed our tears during meaningful conversations and turn them into works of art. Not only can this work be a fun expressive arts practice, it is deeply symbolic of how true trauma healing happens at the level of our cells and tissues within our body.
In May 2019, I attended my first Ram Dass Spring on Maui retreat, where I was blessed to attend 12-step meetings with the writer Anne Lamott. Annie is very open about her involvement in 12-step recovery and did not think twice about welcoming those of us in recovery into her space for nightly meetings. During one of these meetings, I cried very deeply about the great struggle of my life connected to a person I love very deeply. I fought through some initial urges to censor myself (“Come on, Jamie, you’re in the presence of someone important”) and just let the pain of my heart flow. At some point during this very helpful catharsis, Annie handed me a tissue that I very badly needed. Later in the evening when I changed out of my clothes, I noticed that the tissue was still in my pocket. Of course, my fan girl side kicked in: “This is the tissue that Annie Lamott gave you! You can’t throw this away!”
In that moment, the inspiration struck me to use that very special tissue in my art journal, and in the coming weeks I accepted the challenge. Through some trial and error, I learned that tearing the tissue into workable pieces and matting it into my art journal with a substance called Gel Medium created a beautiful texture on my pages, over which I could paint. On that initial page, themed along healing my stuff in the six realms of experience on which the Buddhists teach, I marveled how painting over tissues with acrylics and gauche created the effect of a healing wound. And I realized that any special tissue that holds my literal and figurative blood, sweat, and tears could be repurposed in this manner!
Several weeks later, I experienced two similarly deep cries over love and grief with two of my oldest and dearest friends, Allie and Amber. I saved the tissue from the 12-step meeting at which I hung out with Allie on a July morning. The next day, I shared my tears with Amber at our local Panera (another instance of crying deeply in public with little regard to what those around me thought). As Amber validated my pain, she kept offering me brown Panera napkins. Our friendship offers a powerful container for me to share so honestly, and the vulnerability I can show with Amber has allowed me to make some of the deepest healing connections of my life. This day at Panera was no exception.
I decided to mount Allie’s tissue and Amber’s napkin on pages facing each other in my art journal. I affixed them to the page with gel medium (refer to the before pictures in the slide show). Like many pursuits in my expressive arts processes, I had no idea what the process would reveal. I just “went with it,” playing around with acrylic paints, using my fingers to apply them over the dried tissues. The tissue on the left from my conversation with Allie began to take on the character of a cell for me, appropriate since I am being called into a period of deeper rest and non-doing in my life. As I engage in more yoga nidra practices and periods of time where I challenge myself to put down the doing and embrace the being, I can feel myself healing at a cellular level. This challenge is very difficult for me as someone who has long struggled with beliefs like “I’m not doing enough,” or “I’m only valued because of what I do.” On the page that holds Amber’s tissue, I also see a cell, although one that is much more fluid and open to growth.
You can take a deeper look at the how-to of the process and the specific pages in the slide show that accompanies this blog. In the spirit of expressive arts therapy my aim isn’t to interpret these pages; rather, to treasure what they reveal for me personally. What I am learning from this revelation is that my tears and vulnerability are important to the overall process of transformation through release and rest. Healing my tissues—healing at the cellular level—invites me into all of the healing arts that I discussed in this blog. I appreciate that honoring my tears and what they represent is the core of all expressive art that flows through me.
I have survived a Dancing Mindfulness retreat! If you’re familiar with Dancing Mindfulness, you might look at that sentence and wonder what the big deal is or ask, “What on earth is so hard about surviving any form of expressive art at whose very core is non-judgment?” My response to that would be: absolutely NOTHING. And yet, at the very first Dancing Mindfulness class offered by its creator, who is also my best friend, I was quaking in my little yoga pants. I’d like to hope I would have been there even had I not been working as her Gal Friday at the time, but if I’m to be completely honest, I’m sure I would have found a way to pin my absence on my children if I could have. But since I was the mastermind’s assistant, there I was: participating but not embracing—feeling awkward in my own skin, as I always have; lacking inspiration in how to move from points A to B without looking like a total dork, judging nobody except myself, and harshly at that. The irony here is that DM was created to not only bring about mindful awareness, but also to heal the participants of issues like those I was afraid to face in myself and so many others. Give me choreography or give me death (unless you want to see my own personal rendition of Steve Martin’s character in The Jerk learning to dance when first hearing jazz!)
A little background on me: I’m a recovering alcoholic/addict, victim of molestation, rape and abuse, child of addicts, survivor of a parent lost to suicide. I’ve also had an abortion and am a screwball in general. In short: I’ve been in therapy for years due to having a lot of traumatic baggage in need of healing. Let’s face it: we all have stories and baggage, some of which was dumped on us by others, but it’s up to us to do the work necessary in order to heal. I’ve been #blessed in life to have several close friends, the cosmic joke being the bulk of them are therapists. I’ve found myself inspired by them countless times over the years, and have followed some of the suggestions given by them and those I’ve seen professionally, but I’d kept DM at arm’s length. I have rather short arms, giving me a T-Rex complex to boot, so you’d think it wouldn’t have taken me so long to finally give in to my friends in the DM community asking me to show up for more than a cameo appearance, but I took my sweet time. Despite the countless testimonials I’d seen and heard, despite seeing the growth of a community of the most incredible women (men as well, but my closest pals involved has been a sisterhood of sorts), despite the indescribable glow radiating from the participants. “This just isn’t my thing. You dance and I’ll update the website about how amazing you all feel.” My children eventually grew, making it possible for me to get away: nevertheless I resisted. This isn’t designed for Baryshnikov and the like, it was made for everyone to move however they wanted—but that was my very problem. What hit me this weekend was the realization that while I’m a creative person, I’ve had no consistent outlet for my creativity for decades. As a child I was frequently told I either wasn’t allowed to express myself or that, when I did, I was wrong/ridiculous/stupid/insert negative synonym here—and it took taking part in this retreat to realize that it wasn’t just my speaking that was affected by this load of crap I actually believed for the longest time. That hurt. A lot. Old beliefs I thought I had worked through were still right in the heart of me with exactly what was needed to release them right there in front of me FOR YEARS. Normally, this kind of proverbial bitch slap from reality would leave me questioning all the work I’d done over the years, eventually leading to a tailspin of depression and calling myself a failure. Lucky for me, I was in exactly the right place to process all of this. So many creative outlets twirling, painting, chanting, singing past me, well within my reach. I’d beat myself up over this like i usually do, but I’d rather heal.
Dancing Mindfulness IS MY THING. It’s for everyone and I finally understand that at soul level after having heard those very words too many times to count. I feel like Scrooge waking up on Christmas morning, elated to have his second chance. When your tribe is as amazing as mine, it’s hard to not be influenced by their positivity, and I acknowledge some growth on my part since they’ve come into my life; but I feel like whatever wall of resistance I still had remaining has been blown to pieces. I feel my heart exposed, and vulnerable at the thought of it, but loving the blank canvas of my life for once. I have a tribe, a safe place where I can be me and loved unconditionally for it, I can move from points A to B however I see fit to, and I’ll fucking thrive.
Dr. Jamie Marich
Curator of the Dancing Mindfulness expressive arts blog: a celebration of mindfully-inspired, multi-modal creativity